J. Pappas on How Location and Collaboration Shaped His Musicianship
Rapper and singer J. Pappas discusses his new singles, moving cross-country, performing live, and the therapeutic nature of music.
Rapper and singer J. Pappas discusses his new singles, moving cross-country, performing live, and the therapeutic nature of music.
Find out why “I Didn’t Know – Extended,” “Venus In Furs,” “Spiral,” and “Anywhere With You” have our staff members singing along!
With the release of their second album, Tough Baby, Crack Cloud’s musical reach has greatly expanded from their fringe community in the Downtown Eastside of Vancouver, as they stay true to their mission of using creativity to support each other in sobriety and to process their trauma through music.
Anime is known for having fantastically elaborate, memorable opening songs. They’re almost their own independent experience when watching them, like a wonderful bonus on top of each and every show. So, since it’s that time of year, we’re going to dive into the best openings of the best horror anime in existence, ranking them from “worst” (but still great) to best.
You’ve got the “trash Soundcloud rapper,” the band kid who never left their band kid phase, your local aspiring indie artist, the punk rock drummer who’s six foot three, and so much more. They certainly exist, and dating these so-called archetypes is a whole other ball game.
Mei Semones sits down with Five Cent Sound for a conversation about the unique sound of her new singles, leaving for New York after graduation, and how Back to the Future influenced her music career.
In an environment filled with indie rockers and singer-songwriters, synth-punk musician Maxwell Reid is a breath of fresh air in the Emerson music scene merging emo-punk aesthetics and punchy electronic beats in his new EP, Act One: The Occult Superstar Must Emerge.
Inspired by artists such as Adrianne Lenker and Blaze Foley, Texas Critter’s heartfelt folk music is unique in its Texan influence within Boston.
On Oct. 12, the Boston House of Blues hosted Canadian indie rock band Mother Mother, turning the venue into a three-tiered cake of grungy concertgoers.